His loss of sight became an ironic source of new courage, and a his painting, a way of communicating his perceptions.
"It wasn’t until I lost my sight that I became brave enough to fail,” he said. “Even if the paintings didn’t look good, I didn’t have to see them."
Wow. To go back to painting, after blindness. His ability to reframe his (and his environment's) outlook toward his limitation, into one of abilities, is powerful of itself.
On the subject, a current exhibit at the Stern Gallery on the Mt. Scopus campus of Hebrew University features artwork by, and for, blind and visually impaired visitors. Read about it here, and in the February 16 edition of The Jerusalem Report (no web-based article available, as far I know), which includes a piece on artist Zohar Ginio, a lawyer by profession, and the only blind artist to have artwork -- a sculptural self-portrait of his hand -- featured at the exhibit.
I have walked by this exhibit several times after-hours, on my way back from evening class. The gallery has glass walls, allowing some works to be viewed from the outside, but I have not yet had the opportunity to wander in and experience the work tactically. That needs correction, and since I happen to have class today, I am now going to log off, get up off my tush and head over to campus early, so that I have time to enjoy this exhibit. Stay tuned for impressions.
Keep the balance,